Armed with a rich, febrile, foul sense of humor and an unmistakably idiosyncratic delivery-a syncopated stutter with dancehall syllable scattering and stop-hold-rush gear-shifting-Das EFX came to market under the production wing of EPMD. The Virginia State University-formed, Brooklyn-based duo of Dre (aka Krazy Drayz, aka Andre Weston) and Skoob (aka Books, aka Willie Hines) don’t push the topical envelope any — geography, rhyming and sexing are pretty much the alpha-omega of their menu on the sarcastically titled Dead Serious. Fortunately, the pair’s rereading of old news yields fresh and funny angles, and they pack the rhymes with ridiculous TV and music references (“like Chico, I’m the man … I gave a crew cut to Sinéad O’Connor”) certain to tease a smile out of the hardest roughneck. Vocalized in their original and entertaining (not to mention influential: former EPMDer Parrish Smith virtually stole their act on his 1994 solo album) style, songs like “Mic Checka,” “Jussummen” (one of two cuts with guitar by future solo blues-rapper Bobby Sichran), the way-rude “Looseys” and “Straight Out the Sewer” make Dead Serious a monstrously entertaining debut.
Das EFX- Dead Serious(1992).zip 0; Size 92 MB; Fast download for credit 1 minute - 0,01. Das EFX- Dead Serious(1992).zip 0; Size 92 MB; Fast download for credit 1 minute - 0,01. Dead Serious is the debut studio album of American hip hop duo Das EFX, released April 7, 1992. Das EFX 'They Want EFX' 1992 12' Label: EastWest Records America Runout: Notes: Original US pressing Tracklisting: A1 They Want EFX (Remix) (3:49) Remix - Chris Charity, Derek Lynch A2 Dead Serious (3:39) B1 Jussumen (LP Version) (3:29) B2 They Want EFX (Dub) (3:55) Remix - Chris Charity, Derek Lynch. Listen to Dead Serious on Spotify. Das EFX Album 1992 10 songs.
Lines like “I rolled two spliffs, so I guess I’m double-jointed” show that Skoob and Dray [sic] have their brain-teasing wits about them on Straight Up Sewaside, but the sophomore album is a let-down, with dull production, streamlined vocals and too many go-nowhere stragglers like the repetitive “Check It Out,” “Baknaffek” and “Kaught in da Ak.” “It’z Lik Dat” and “Rappaz” are bright moments, but Das EFX’s decision to downplay their strengths-combined with such filler as an interview and the majorly annoying gimmick of spinning a radio dial-makes the album a sorry also-ran to the first.
Which still leaves it miles better than the pitiful Hold It Down. An audio representation of two minds on drugs-“40 & a Blunt” is all she hadda write-the album finds Hines and Weston dull-wittedly stuck in a mental end groove, repetitively rhyming about skunk and blunts, about getting and staying high, as if they were rehearsing for parts in The Cheech and Chong Story. Boring, casually offensive (“faggot” is essential, if non-sexual, vocabulary here; a passing reference to Long Island Railroad mass-murderer Colin Ferguson is in extremely poor taste) and slack to the max; the occasional “diggedy” scat syllable dropped in is a sad reminder of the duo’s once-phenomenal skills.
“BUM STIGGEDY BUM STIGGEDY BUM, HON!”
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It’s been 25 years since that unorthodox lyric hit stereos for the first time and shattered all conventional understandings of Hip-Hop music. It was on diggity Das EFX’s first hit single, “They Want EFX,” from their debut album, “Dead Serious.” To celebrate this quarter of a century milestone, Krazy Drayz and Skoob have emerged straight from the sewer to deliver a tremendous gift to the Hip-Hop community…an anniversary album with a new intro, and six bonus tracks. Gasguns.info forum view topic.
The anniversary release will take old-school heads on a trip down memory lane, and many will recall the tremendous impact that the album had back in 1992. Dray and Skoob introduced an entirely new vocal style to Hip-Hop. Their fast paced, stop-start, stutter rhyme scheme was infectious, and every break in their flow was filled with an “iggety.” Every track was jam-packed with energy, humor, and pop culture references, and this unique approach unveiled boundless new possibilities for Hip-Hop. They came on the scene to accomplish two things: to make dope Hip-Hop music, and to be different. They certainly achieved both, and they made their mark as one of the most innovative duos of all time.
The anniversary album features five exclusive remixes, and one bonus track, all of which were produced by Solid Scheme, with the exception of the “Jussumen Remix,” which was produced by Pete Rock. Brooklyn-based producers Solid Scheme (Derek Lynch & Chris Charity) are significant in helping to shape the musical style Das EFX is known for. All remixes on the anniversary release were previously recorded back in 1992, so the authentic golden era sound has been preserved and stashed away for the last 25 years, and unreleased until now. The production will transport listeners straight back into the early 90’s, into the deepest darkest corners of the underground, where only the grimiest, rawest Hip-Hop lives. The remixes encapsulate the same hardcore type of feel that Das EFX epitomized back then, with funk and soul samples, and knocking boom bap drums that’ll make you bob your head until your neck hurts.
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In the past 25 years, Hip-Hop has evolved in ways many of us would have never imagined. Thus, it is undoubtedly refreshing to hear this release, and to reminisce about a time when Hip-Hop thrived in the underground. With this release, we are reminded of our roots. And for that, Dray and Skoob, we thank you, because I can confidently speak for the rest of the Hip-Hop community when I say, that we most definitely still, want EFX.